{"@context":"https://linked.art/ns/v1/linked-art.json","id":"https://media.art.yale.edu/content/lux/obj/36257.json","type":"HumanMadeObject","_label":"Isaac Smith (1719–1787)","classified_as":[{"id":"http://vocab.getty.edu/aat/300033618","type":"Type","_label":"Paintings","classified_as":[{"id":"http://vocab.getty.edu/aat/300435443","type":"Type","_label":"Type of Work"}]},{"id":"http://vocab.getty.edu/aat/300191086","type":"Type","_label":"Visual Works","classified_as":[{"id":"http://vocab.getty.edu/aat/300241507","type":"Type","_label":"Super Type"}]},{"id":"http://vocab.getty.edu/aat/300189808","type":"Type","_label":"figures (representations)"},{"id":"http://vocab.getty.edu/aat/300404114","type":"Type","_label":"human figures (visual works)"},{"id":"http://vocab.getty.edu/aat/300015637","type":"Type","_label":"portraits"}],"identified_by":[{"type":"Name","content":"Isaac Smith (1719–1787)","classified_as":[{"id":"http://vocab.getty.edu/aat/300404670","type":"Type","_label":"Primary 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the Pursuit of Happiness: American Art from the Yale University Art Gallery, Yale University Art Gallery, New Haven, Conn., 2011-07-29 to 2012-07-08"},{"id":"https://media.art.yale.edu/content/lux/exs/4749.json","type":"Set","_label":"Gold in America: Artistry, Memory, Power, Yale University Art Gallery, New Haven, Conn., 2022-02-25 to 2022-07-10"}],"equivalent":[{"id":"http://www.wikidata.org/entity/Q49172987","type":"HumanMadeObject","_label":"Isaac Smith (1719–1787)"}],"made_of":[{"id":"http://vocab.getty.edu/aat/300014078","type":"Material","_label":"canvas"},{"id":"http://vocab.getty.edu/aat/300015050","type":"Material","_label":"oil 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1900","classified_as":[{"id":"http://vocab.getty.edu/aat/300133046","type":"Type","_label":"Access statement"}]},{"type":"LinguisticObject","content":"Barbara Parker and Anne Wheeler, John Singleton Copley: American Portraits in Oil, Pastel, and Miniature (Boston: Museum of Fine Arts, Boston, 1938), 183–84, fig. 96","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"Jules David Prown, John Singleton Copley: In America, 1738–1774 (Cambridge, Mass.: Harvard University Press, 1966), 60, 68–69, 70, 76, 98–99, fig. 255","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"Jules David Prown, John Singleton Copley, 1738–1815, exh. cat. (Washington, D.C.: National Gallery of Art, 1966), 55, 60, 63, 137, fig. 39","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"Susan B. Matheson, Art for Yale: A History of the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2001), 84, 86, fig. 77a","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"Margaretta M. Lovell, Art in a Season of Revolution: Painters, Artisans, and Patrons in Early America (Philadelphia: University of Pennsylvania Press, 2005), 148, fig. 55","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"Helen A. Cooper et al., Life, Liberty, and the Pursuit of Happiness: American Art from the Yale University Art Gallery, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2008), 2, 21, 64, 199–200, no. 105, ill","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"American Art: Selections from the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2023), 64, fig. 1","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"Gift of Maitland F. 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Luxury is evident everywhere, from the armchair upholstered in yellow damask, to the pearls in her hair and around her neck and the rich silk of her dress and robe. Copley provided his sitters with images that are simultaneously realistic and idealized—recording not only how the Smiths actually looked but also the way in which they wanted to be perceived.","classified_as":[{"id":"http://vocab.getty.edu/aat/300435416","type":"Type","_label":"Description"}]},{"type":"LinguisticObject","content":"50 1/8 × 40 1/8 in. 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