{"@context":"https://linked.art/ns/v1/linked-art.json","id":"https://media.art.yale.edu/content/lux/obj/43498.json","type":"HumanMadeObject","_label":"Virgin Annunciate","classified_as":[{"id":"http://vocab.getty.edu/aat/300033618","type":"Type","_label":"Paintings","classified_as":[{"id":"http://vocab.getty.edu/aat/300435443","type":"Type","_label":"Type of Work"}]},{"id":"http://vocab.getty.edu/aat/300191086","type":"Type","_label":"Visual Works","classified_as":[{"id":"http://vocab.getty.edu/aat/300241507","type":"Type","_label":"Super Type"}]},{"id":"http://vocab.getty.edu/aat/300075940","type":"Type","_label":"altarpieces"},{"id":"http://vocab.getty.edu/aat/300248179","type":"Type","_label":"religious art"}],"identified_by":[{"type":"Name","content":"Virgin Annunciate","classified_as":[{"id":"http://vocab.getty.edu/aat/300404670","type":"Type","_label":"Primary Title"}],"language":[{"id":"http://vocab.getty.edu/aat/300388277","type":"Language","_label":"eng"}]},{"type":"Identifier","content":"1959.15.5","classified_as":[{"id":"http://vocab.getty.edu/aat/300312355","type":"Type","_label":"Accession Number"}],"assigned_by":[{"type":"AttributeAssignment","carried_out_by":[{"id":"https://media.art.yale.edu/content/lux/agt/12811.json","type":"Group","_label":"Yale University Art Gallery"}]}]},{"type":"Identifier","content":"43498","classified_as":[{"id":"http://vocab.getty.edu/aat/300435704","type":"Type","_label":"System-Assigned Number"}],"assigned_by":[{"type":"AttributeAssignment","carried_out_by":[{"id":"https://media.art.yale.edu/content/lux/agt/12811.json","type":"Group","_label":"Yale University Art Gallery"}]}]}],"current_owner":[{"id":"https://media.art.yale.edu/content/lux/agt/12811.json","type":"Group","_label":"Yale University Art Gallery"}],"member_of":[{"id":"https://media.art.yale.edu/content/lux/set/15.json","type":"Set","_label":"European Art Collection, Yale University Art Gallery"}],"equivalent":[{"id":"http://www.wikidata.org/entity/Q49256292","type":"HumanMadeObject","_label":"Virgin Annunciate"}],"dimension":[{"type":"Dimension","value":6.150000000000000e+001,"classified_as":[{"id":"http://vocab.getty.edu/aat/300055644","type":"Type","_label":"height"}],"unit":{"id":"http://vocab.getty.edu/aat/300379098","type":"MeasurementUnit","_label":"cm"},"assigned_by":[{"type":"AttributeAssignment","classified_as":[{"id":"https://media.art.yale.edu/content/lux/dim/12.json","type":"Type","_label":"overall"}]}]},{"type":"Dimension","value":4.950000000000000e+001,"classified_as":[{"id":"http://vocab.getty.edu/aat/300055647","type":"Type","_label":"width"}],"unit":{"id":"http://vocab.getty.edu/aat/300379098","type":"MeasurementUnit","_label":"cm"},"assigned_by":[{"type":"AttributeAssignment","classified_as":[{"id":"https://media.art.yale.edu/content/lux/dim/12.json","type":"Type","_label":"overall"}]}]},{"type":"Dimension","value":5.360000000000000e+001,"classified_as":[{"id":"http://vocab.getty.edu/aat/300055644","type":"Type","_label":"height"}],"unit":{"id":"http://vocab.getty.edu/aat/300379098","type":"MeasurementUnit","_label":"cm"},"assigned_by":[{"type":"AttributeAssignment","classified_as":[{"id":"https://media.art.yale.edu/content/lux/dim/47.json","type":"Type","_label":"picture surface"}]}]},{"type":"Dimension","value":4.350000000000000e+001,"classified_as":[{"id":"http://vocab.getty.edu/aat/300055647","type":"Type","_label":"width"}],"unit":{"id":"http://vocab.getty.edu/aat/300379098","type":"MeasurementUnit","_label":"cm"},"assigned_by":[{"type":"AttributeAssignment","classified_as":[{"id":"https://media.art.yale.edu/content/lux/dim/47.json","type":"Type","_label":"picture surface"}]}]}],"referred_to_by":[{"type":"LinguisticObject","content":"Not on view","classified_as":[{"id":"http://vocab.getty.edu/aat/300133046","type":"Type","_label":"Access statement"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Bernard Berenson, &quot;A Sienese Painter of the Franciscan Legend,&quot; <em>Burlington Magazine</em> 2 and 4 (1903), 179–180, discusses Sassetta's Madonna della Neve altarpiece</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">F. Mason Perkins, &quot;Dipinti italiani nella raccolta Platt,&quot; <em>Rassegna d'arte antica e moderna</em> 11 (1911), 5, fig. 7</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">F. Mason Perkins, &quot;La Pala d'altare del Sassetta a Chiusdino,&quot; <em>Rassegna d'Arte</em> 12 (1912), 196</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">F. Mason Perkins, &quot;A Proposito della Pala del Sassetta a Chiusdino,&quot; <em>Rassegna d'Arte</em> 13 (1913), 40</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Nicola da Giacomo, &quot;Sassetta between 1423 and 1433-II,&quot; <em>Burlington Magazine</em> 23 (1913), 278, pl. IV, Q \r\nSassetta, Dan Fellow Platt Collection, as cusp on the sinister side crowning the Madonna della Neve altarpiece in the Duomo of Siena</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Joseph Archer Crowe and Giovanni Battista Cavalcaselle, <em>A history of painting in Italy, Umbria, Florence and Siena, from the second to the sixteenth century</em> (London: London, 1914), 169–170, note 1\r\nSassetta, Dan Fellow Platt Collection, as one of three cusps crowning the Madonna della Neve altarpiece</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Raimond van Marle, <em>The Development of the Italian Schools of Painting</em>, 19 vols. (The Hague: M. Nijhoff, 1923–38), 334–335, fig. 211</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Lionello Venturi, <em>Pitture italiane in America</em> (Milan: Ulrico Hoepli, 1931), pl. CXI \r\n</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Bernard Berenson, <em>Italian Pictures of the Renaissance: A List of the Principal Artists and Their Works with an Index of Places</em> (Oxford: Clarendon Press, 1932), 512</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">George Harold Edgell, <em>A History of Sienese Painting</em> (New York: Dial Press, 1932), 192, fig. 252</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Lionello Venturi, <em>Italian Paintings in America</em>, 3 vols. (New York: E. Weyhe, Inc., 1933), pl. 144 \r\n</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Bernard Berenson, <em>Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere</em> (Milan, Italy: Ulrico Hoepli, 1936), 440</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">John Pope-Hennessy, <em>Sassetta</em> (London: London, 1939), 27, 53, note 69 \r\nSassetta, as lateral panel with Massa Marittima Angel contiguous to panel of the Redeemer in Madonna della Neve altarpiece</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Louis M. Rabinowitz, <em>Rabinowitz Collection</em> (New York: The Twin Editions, 1945), 13–14, pl. VII, fig. 2\r\nSassetta, part of Madonna della Neve altarpiece</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Lionello Venturi, <em>The Rabinowitz Collection</em> (New York: New York: The Twin Editions, 1945), pl. 111</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">John Pope-Hennessy, <em>Sienese Quattrocento Painting</em> (London: London, 1947), 25</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Edna Perkel, <em>An Exhibition of Paintings: for the Benefit of the Research Fund of Art and Archaeology, The Spanish Institute, Inc.</em>, exh. cat. (New York: E. and A. Silberman Galleries, Inc., 1955), 16, no. 4, ill.</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Federico Zeri, &quot;Towards a Reconstruction of Sassetta's Arte della Lana Triptych (1423-6),&quot; <em>Burlington Magazine</em> 98 (1956), 36–39</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">John Pope-Hennessy, &quot;Rethinking Sassetta,&quot; <em>Burlington Magazine</em> 98 (1956), 364–70</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Enzo Carli, <em>Sassetta e il Maestro dell' Osservanza</em> (Milan: Aldo Martello Editore, 1957), 12</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Charles Seymour, Jr., <em>The Rabinowitz Collection of European Paintings</em> (New Haven, Conn.: Yale University Art Gallery, 1961), 7, 22–23, 55, ill.</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Bernard Berenson, <em>Italian Pictures of the Renaissance, A List of the Principal Artists and Their Works with an Index of Places: Central Italian and North Italian Schools</em>, 3 vols. (London: Phaidon, 1968), 1:386</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Charles Seymour, Jr., <em>Early Italian Paintings in the Yale University Art Gallery</em> (New Haven, Conn.: Yale University Art Gallery, 1970), 206–7, 209, no. 156, ill.</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Burton B. Fredericksen and Federico Zeri, <em>Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections</em> (Cambridge, Mass.: Harvard University Press, 1972), 183, 601</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Andrew Carnduff Ritchie and Katherine Neilson, <em>Selected Paintings and Sculpture from the Yale University Art Gallery</em> (New Haven, Conn.: Yale University Press, 1972), no. 9</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Everett Fahy, &quot;Review of Early Italian Paintings in the Yale University Art Gallery, by Charles Seymour, Jr.,&quot; <em>Art Bulletin</em> 56, no. 2 (June 1974), 284</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">L. Blauwkuip, <em>Sassetta's Madonna della Neve altaarstuk</em> (Groningen, Germany: Rijksuniversiteit Groningen, 1980), 13</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Henk van Os, <em>Sienese altarpieces, 1215-1460: form, content, function</em> (Groningen, The Netherlands: Bouma's Boekhuis, 1984-1990), 167–168</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Keith Christiansen, Laurence Kanter, and Carl Strehlke, <em>The Arte della Lana altarpiece</em> (New York: The Metropolitan Museum of Art, 1988), 65</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Machtelt Israëls, &quot;New documents for Sassetta and Sano di Pietro at the Porta Romana, Siena,&quot; <em>Burlington Magazine</em> (1998), 436–444</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Machtelt Israëls, <em>Sassetta's Madonna della Neve: An Image of Patronage</em> (Leiden: Primavera Pers, 2003), 60–62, fig. 21</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\"><a href=\"https://publications.artgallery.yale.edu/italian-paintings/catalogue/volume-2/the-sienese-school/124/\" target=\"_blank\">Laurence Kanter and Pia Palladino, <em>Italian Paintings at the Yale University Art Gallery</em> (New Haven, Conn.: Yale University Art Gallery, 2023–), https://publications.artgallery.yale.edu/italian-paintings/catalogue/volume-2/the-sienese-school/124/</a></span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"Gift of Hannah D. and Louis M. Rabinowitz","classified_as":[{"id":"http://vocab.getty.edu/aat/300435418","type":"Type","_label":"Credit Line"}]},{"type":"LinguisticObject","content":"Italian, Siena","classified_as":[{"id":"http://vocab.getty.edu/aat/300435431","type":"Type","_label":"Culture"}]},{"type":"LinguisticObject","content":"excl. modern base, central crocket, returns on framing pilasters: 24 3/16 × 19 1/2 in. (61.5 × 49.5 cm)\r\npicture surface: 21 1/8 × 17 1/8 in. (53.6 × 43.5 cm)","classified_as":[{"id":"http://vocab.getty.edu/aat/300435430","type":"Type","_label":"Dimensions"}]},{"type":"LinguisticObject","content":"Tempera, gold, and silver on panel","classified_as":[{"id":"http://vocab.getty.edu/aat/300435429","type":"Type","_label":"Medium"}]},{"type":"LinguisticObject","content":"15th century","classified_as":[{"id":"http://vocab.getty.edu/aat/300081446","type":"Type","_label":"Period"}]},{"type":"LinguisticObject","content":"Believed to have been in Italy, perhaps at Chiusdino; Langton Douglas Collection, London; Dan Fellows Platt Collection, Englewood, New Jersey (ca. 1911–36); E. and A. Silberman Galleries, New York, NY; Rabinowitz Collection, Sands Point, Long Island (ca. 1944–59).\r\n\r\n\"In 1911 Mason Perkins discovered two pinnacles, one with the Angel Gabriel now in Massa Marittima and the other with the Virgin Annunciate now in New Haven (figs. 20, 21). Mason Perkins, followed by Pope-Hennessy, suggested that they were the lateral crowning elements of the Madonna della Neve.  A missing Salvator would have gone in between the Annunciation pinnacles.  In 1956, Zeri pointed out that this reconstruction was architecturally and stylistically incongruous and associated the Annunciation instead with the Arte della Lana altarpiece.   This suggestion was rightly rejected by Christiansen, who, however, subsequently reproposed a Madonna della Neve provenance.  Yet Blauwkuip's findings had already clarified the situation.  The pinnacles cannot be associated with any other known work of Sassetta, and must therefore be considered as the only remnants of an altarpiece of so far unknown provenance\" (Israëls 2003, pp. 60-61).","classified_as":[{"id":"http://vocab.getty.edu/aat/300435438","type":"Type","_label":"Provenance"}]},{"type":"LinguisticObject","content":"<a href=\"https://artgallery.yale.edu/visit\">Plan your visit to the Yale University Art Gallery</a>","classified_as":[{"id":"http://vocab.getty.edu/aat/300025883","type":"Type","_label":"Visitors' Statement"}]}],"subject_of":[{"type":"LinguisticObject","_label":"View this record on the Yale University Art Gallery website","digitally_carried_by":[{"type":"DigitalObject","_label":"View this record on the Yale University Art Gallery website","classified_as":[{"id":"http://vocab.getty.edu/aat/300264578","type":"Type","_label":"Web Page"}],"identified_by":[{"type":"Name","content":"View this record on the Yale University Art Gallery website"}],"format":"text/html","access_point":[{"id":"https://artgallery.yale.edu/collections/objects/43498","type":"DigitalObject"}]}]},{"type":"LinguisticObject","_label":"IIIF v3 manifest","digitally_carried_by":[{"type":"DigitalObject","_label":"IIIF v3 manifest","identified_by":[{"type":"Name","content":"IIIF v3 manifest"}],"format":"application/ld+json","access_point":[{"id":"https://manifests.collections.yale.edu/yuag/obj/43498","type":"DigitalObject"}],"conforms_to":[{"id":"http://iiif.io/api/presentation/3/context.json","type":"InformationObject"}]}]}],"representation":[{"type":"VisualItem","_label":"Primary Image Thumbnail","digitally_shown_by":[{"type":"DigitalObject","_label":"Primary Image Thumbnail","access_point":[{"id":"https://media.collections.yale.edu/thumbnail/yuag/obj/43498","type":"DigitalObject"}],"classified_as":[{"id":"http://vocab.getty.edu/aat/300215302","type":"Type","_label":"Digital Image"}]}]}],"produced_by":{"type":"Production","part":[{"type":"Production","classified_as":[{"id":"http://vocab.getty.edu/aat/300025103","type":"Type","_label":"Artist"}],"referred_to_by":[{"type":"LinguisticObject","content":"Artist: Stefano di Giovanni, called Sassetta (Siena, 1392–1450)","classified_as":[{"id":"http://vocab.getty.edu/aat/300435446","type":"Type","_label":"Creator Description"}]}],"carried_out_by":[{"id":"https://media.art.yale.edu/content/lux/agt/9332.json","type":"Person","_label":"Artist: Stefano di Giovanni, called Sassetta (Siena, 1392–1450)"}]}],"timespan":{"type":"TimeSpan","begin_of_the_begin":"1423-01-01T00:00:00Z","end_of_the_end":"1433-12-31T00:00:00Z","identified_by":[{"type":"Name","content":"ca. 1428–30","classified_as":[{"id":"http://vocab.getty.edu/aat/300404669","type":"Type","_label":"Display Date"}]}]},"took_place_at":[{"id":"http://vocab.getty.edu/tgn/7011179","type":"Place","_label":"Siena"}],"referred_to_by":[{"type":"LinguisticObject","content":"Siena, Italy","_label":"Made in ","classified_as":[{"id":"http://vocab.getty.edu/page/aat/300435448","type":"Type","_label":"Creation Place Description"}]}]},"shows":[{"id":"https://media.art.yale.edu/content/lux/vis/43498.json","type":"VisualItem","_label":"Virgin Annunciate [Visual Content]"}]}