{"@context":"https://linked.art/ns/v1/linked-art.json","id":"https://media.art.yale.edu/content/lux/obj/44040.json","type":"HumanMadeObject","_label":"Le renversement (Somersault)","classified_as":[{"id":"http://vocab.getty.edu/aat/300033618","type":"Type","_label":"Paintings","classified_as":[{"id":"http://vocab.getty.edu/aat/300435443","type":"Type","_label":"Type of Work"}]},{"id":"http://vocab.getty.edu/aat/300191086","type":"Type","_label":"Visual Works","classified_as":[{"id":"http://vocab.getty.edu/aat/300241507","type":"Type","_label":"Super Type"}]},{"id":"http://vocab.getty.edu/aat/300417511","type":"Type","_label":"abstract (general art genre)"},{"id":"http://vocab.getty.edu/aat/300033914","type":"Type","_label":"words, numbers, symbols art (visual works)"}],"identified_by":[{"type":"Name","content":"Le renversement (Somersault)","classified_as":[{"id":"http://vocab.getty.edu/aat/300404670","type":"Type","_label":"Primary 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2008-01-27"},{"id":"https://media.art.yale.edu/content/lux/exs/339.json","type":"Set","_label":"The Société Anonyme: Modernism for America, Yale University Art Gallery, New Haven, Conn., 2012-12-04 to 2013-06-23"}],"equivalent":[{"id":"http://www.wikidata.org/entity/Q49221062","type":"HumanMadeObject","_label":"Le renversement (Somersault)"}],"made_of":[{"id":"http://vocab.getty.edu/aat/300014236","type":"Material","_label":"canvas board"},{"id":"http://vocab.getty.edu/aat/300012862","type":"Material","_label":"charcoal"},{"id":"http://vocab.getty.edu/aat/300011098","type":"Material","_label":"graphite"},{"id":"http://vocab.getty.edu/aat/300015050","type":"Material","_label":"oil paint"},{"id":"http://vocab.getty.edu/aat/300015062","type":"Material","_label":"tempera"}],"dimension":[{"type":"Dimension","value":9.240000000000001e+001,"classified_as":[{"id":"http://vocab.getty.edu/aat/300055644","type":"Type","_label":"height"}],"unit":{"id":"http://vocab.getty.edu/aat/300379098","type":"MeasurementUnit","_label":"cm"},"assigned_by":[{"type":"AttributeAssignment","classified_as":[{"id":"https://media.art.yale.edu/content/lux/dim/12.json","type":"Type","_label":"overall"}]}]},{"type":"Dimension","value":7.280000000000000e+001,"classified_as":[{"id":"http://vocab.getty.edu/aat/300055647","type":"Type","_label":"width"}],"unit":{"id":"http://vocab.getty.edu/aat/300379098","type":"MeasurementUnit","_label":"cm"},"assigned_by":[{"type":"AttributeAssignment","classified_as":[{"id":"https://media.art.yale.edu/content/lux/dim/12.json","type":"Type","_label":"overall"}]}]},{"type":"Dimension","value":9.540000000000001e+001,"classified_as":[{"id":"http://vocab.getty.edu/aat/300055644","type":"Type","_label":"height"}],"unit":{"id":"http://vocab.getty.edu/aat/300379098","type":"MeasurementUnit","_label":"cm"},"assigned_by":[{"type":"AttributeAssignment","classified_as":[{"id":"https://media.art.yale.edu/content/lux/dim/7.json","type":"Type","_label":"framed"}]}]},{"type":"Dimension","value":7.620000000000000e+001,"classified_as":[{"id":"http://vocab.getty.edu/aat/300055647","type":"Type","_label":"width"}],"unit":{"id":"http://vocab.getty.edu/aat/300379098","type":"MeasurementUnit","_label":"cm"},"assigned_by":[{"type":"AttributeAssignment","classified_as":[{"id":"https://media.art.yale.edu/content/lux/dim/7.json","type":"Type","_label":"framed"}]}]},{"type":"Dimension","value":5.700000000000000e+000,"classified_as":[{"id":"http://vocab.getty.edu/aat/300072633","type":"Type","_label":"depth"}],"unit":{"id":"http://vocab.getty.edu/aat/300379098","type":"MeasurementUnit","_label":"cm"},"assigned_by":[{"type":"AttributeAssignment","classified_as":[{"id":"https://media.art.yale.edu/content/lux/dim/7.json","type":"Type","_label":"framed"}]}]}],"referred_to_by":[{"type":"LinguisticObject","content":"Not on view","classified_as":[{"id":"http://vocab.getty.edu/aat/300133046","type":"Type","_label":"Access statement"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">James Johnson Sweeney, <em>Joan Miró</em>, exh. cat. (New York: Museum of Modern Art, 1941), 28–29</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\"><em>Collection of the Société Anonyme: Museum of Modern Art 1920</em> (New Haven, Conn.: Yale University Art Gallery, 1950), 108-09, ill.</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\"><em>Joan Miró</em>, exh. cat. (New York: Acquavella Galleries, Inc., 1972), no. 10</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Harold Rosenberg, &quot;Fertile Fields,&quot; <em>New Yorker</em> (December 23, 1972), 61–64</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Ruth L. Bohan, <em>The Société Anonyme's Brooklyn Exhibition: Katherine Dreier and Modernism in America</em> (Ann Arbor, Mich.: University of Michigan Research Press, 1982), 150, fig. 10</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Robert L. Herbert, Eleanor S. Apter, and Elise K. Kenney, <em>The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné</em> (New Haven, Conn.: Yale University Press, 1984), 462, no. 470, ill.</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\"><em>Elan Vital oder das Auge des Eros</em>, exh. cat. (Munich: Haus der Kunst, 1994), 563, no. 438</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Ruth L. Bohan et al., <em>The Société Anonyme: Modernism for America</em>, ed. Jennifer Gross, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2006), 179, 199, ill.</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"Gift of Collection Société Anonyme","classified_as":[{"id":"http://vocab.getty.edu/aat/300435418","type":"Type","_label":"Credit Line"}]},{"type":"LinguisticObject","content":"Spanish","classified_as":[{"id":"http://vocab.getty.edu/aat/300435431","type":"Type","_label":"Culture"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Painted in the summer of 1924 during Joan Miró's annual sojourn in Montroig, Spain, <EM>Le Renversement</EM> (\"The Toppling\") offers a glimpse into the artist's imagination. Here, Miró's rotation of the customary horizontal orientation of landscape painting is only one of a series of reversals in a painting that suggests a Surrealist dream-world. The mustachioed stick figure, flanked by exclamations \"AH!\" and \"HoO!\", inhabits a world of text and image, sight and sound, drawing on Surrealism's roots in poetry. The title provides a significant key to the work's central idea, suggesting the deliberate overthrow of traditional, rational relationships.</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300435416","type":"Type","_label":"Description"}]},{"type":"LinguisticObject","content":"36 3/8 × 28 11/16 in. (92.4 × 72.8 cm)\r\nframed: 37 9/16 × 30 × 2 1/4 in. (95.4 × 76.2 × 5.7 cm)","classified_as":[{"id":"http://vocab.getty.edu/aat/300435430","type":"Type","_label":"Dimensions"}]},{"type":"LinguisticObject","content":"The Société Anonyme: Modernism for America, Hammer Museum, Los Angeles, 2006-04-23 to 2006-08-20; The Phillips Collection, Washington, D.C., 2006-10-14 to 2007-01-21; Dallas Museum of Art, Dallas, 2007-06-10 to 2007-09-16; Frist Art Museum, Nashville, 2007-10-26 to 2008-01-27; Yale University Art Gallery, New Haven, Conn., 2012-12-04 to 2013-06-23","classified_as":[{"id":"http://vocab.getty.edu/aat/300054766","type":"Type","_label":"Exhibitions (events)"}]},{"type":"LinguisticObject","content":"Oil, graphite, charcoal, and tempera on canvas board","classified_as":[{"id":"http://vocab.getty.edu/aat/300435429","type":"Type","_label":"Medium"}]},{"type":"LinguisticObject","content":"20th century","classified_as":[{"id":"http://vocab.getty.edu/aat/300081446","type":"Type","_label":"Period"}]},{"type":"LinguisticObject","content":"With Galerie Pierre, Paris (on loan to the Brooklyn Museum, 1926–27) [see note 1]; sold to Katherine S. Dreier (1877–1952), New York, July 1927; given to the Société Anonyme, Inc., New York, by 1941; given to the Yale University Art Gallery, New Haven, Conn., 1941\r\n\r\n \r\n\r\nNote 1: According to the catalogue raisonné for the Collection Société Anonyme (Herbert et al. 1984), the painting “was sent by Marcel Duchamp to the Brooklyn exhibition of 1926.” It is unclear whether Duchamp purchased the painting from Galerie Pierre, in Paris, or arranged for it to be loaned to the Brooklyn exhibition. Dreier’s subsequent purchase of the painting suggests that it was a loan.","classified_as":[{"id":"http://vocab.getty.edu/aat/300435438","type":"Type","_label":"Provenance"}]},{"type":"LinguisticObject","content":"Signed and dated l.r. \"Miro. 1924\".","classified_as":[{"id":"http://vocab.getty.edu/aat/300028705","type":"Type","_label":"Signed"}]},{"type":"LinguisticObject","content":"Highlight","classified_as":[{"id":"http://vocab.getty.edu/aat/300438433","type":"Type","_label":"Status Flag"}]},{"type":"LinguisticObject","content":"<a href=\"https://artgallery.yale.edu/visit\">Plan your visit to the Yale University Art Gallery</a>","classified_as":[{"id":"http://vocab.getty.edu/aat/300025883","type":"Type","_label":"Visitors' Statement"}]}],"subject_of":[{"type":"LinguisticObject","_label":"View this record on the Yale University Art Gallery website","digitally_carried_by":[{"type":"DigitalObject","_label":"View this record on the Yale University Art Gallery website","classified_as":[{"id":"http://vocab.getty.edu/aat/300264578","type":"Type","_label":"Web Page"}],"identified_by":[{"type":"Name","content":"View this record on the Yale University Art Gallery website"}],"format":"text/html","access_point":[{"id":"https://artgallery.yale.edu/collections/objects/44040","type":"DigitalObject"}]}]},{"type":"LinguisticObject","_label":"IIIF v3 manifest","digitally_carried_by":[{"type":"DigitalObject","_label":"IIIF v3 manifest","identified_by":[{"type":"Name","content":"IIIF v3 manifest"}],"format":"application/ld+json","access_point":[{"id":"https://manifests.collections.yale.edu/yuag/obj/44040","type":"DigitalObject"}],"conforms_to":[{"id":"http://iiif.io/api/presentation/3/context.json","type":"InformationObject"}]}]}],"representation":[{"type":"VisualItem","_label":"Primary Image Thumbnail","digitally_shown_by":[{"type":"DigitalObject","_label":"Primary Image Thumbnail","access_point":[{"id":"https://media.collections.yale.edu/thumbnail/yuag/obj/44040","type":"DigitalObject"}],"classified_as":[{"id":"http://vocab.getty.edu/aat/300215302","type":"Type","_label":"Digital Image"}]}]}],"produced_by":{"type":"Production","part":[{"type":"Production","classified_as":[{"id":"http://vocab.getty.edu/aat/300025103","type":"Type","_label":"Artist"}],"referred_to_by":[{"type":"LinguisticObject","content":"Artist: Joan Miró (Spanish, 1893–1983)","classified_as":[{"id":"http://vocab.getty.edu/aat/300435446","type":"Type","_label":"Creator Description"}]}],"carried_out_by":[{"id":"https://media.art.yale.edu/content/lux/agt/2043.json","type":"Person","_label":"Artist: Joan Miró (Spanish, 1893–1983)"}]}],"timespan":{"type":"TimeSpan","begin_of_the_begin":"1924-01-01T00:00:00Z","end_of_the_end":"1924-12-31T00:00:00Z","identified_by":[{"type":"Name","content":"1924","classified_as":[{"id":"http://vocab.getty.edu/aat/300404669","type":"Type","_label":"Display Date"}]}]}},"shows":[{"id":"https://media.art.yale.edu/content/lux/vis/44040.json","type":"VisualItem","_label":"Le renversement (Somersault) [Visual Content]"}]}