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(New Haven, Conn.: Yale University Art Gallery, 1992), 29","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"Helen A. Cooper et al., Life, Liberty, and the Pursuit of Happiness: American Art from the Yale University Art Gallery, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2008), 242–43, 247, no. 138, ill","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"Gift of Arnold H. Nichols, B.A. 1920","classified_as":[{"id":"http://vocab.getty.edu/aat/300435418","type":"Type","_label":"Credit Line"}]},{"type":"LinguisticObject","content":"American","classified_as":[{"id":"http://vocab.getty.edu/aat/300435431","type":"Type","_label":"Culture"}]},{"type":"LinguisticObject","content":"In this painting, Martin Johnson Heade captures a place of transition. Some old-fashioned square-riggers appear in the far distance on the water. Along the railroad that bisects the marsh, a modern train exits the scene, polluting the air with coal smoke. Men dig clams from the mudflats, a traditional form of labor, adhering not to the railroad’s schedule but to that of the tides. Although Heade’s pastoral frankly acknowledges the railroad, which was playing a major role in the Civil War, it offers no hint of the dramatic transformation of nearby Lynn, Massachusetts, into a major industrial center.","classified_as":[{"id":"http://vocab.getty.edu/aat/300435416","type":"Type","_label":"Description"}]},{"type":"LinguisticObject","content":"12 3/8 × 30 3/8 in. 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